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I dialog med Bach/ Præsentation af kunstnerisk udviklingsprojekt

30/09/2021

Celloprofessor ved Det Jyske Musikkonservatorium Henrik Brendstrup afslutter sit kunstneriske udviklingsprojekt ”In dialogue with Bach” med en offentlig præsentation af projektet onsdag d. 6. oktober kl. 19.00 i Kammermusiksalen, Musikhuset Aarhus.

Begivenheden kan også følges online via dette link: https://deic.zoom.us/j/66522148139.
Alle interesserede er velkomne.

Ved præsentationen fortæller Brendstrup om projektet og viser bl.a. videoklip fra arbejdet. Som ekstern moderator medvirker den internationalt berømte finske cellist Anssi Karttunen.

 

Tredobbelt dialog med Bach

Bachs seks cellosuiter er helt centrale værker i cellolitteraturen. Med udgangspunkt i disse suiter for solocello undersøger projektet arbejdsformen ”dialogisk komposition”, idet Brendstrup har inviteret seks nutidige komponister til hver at skrive et nyt værk for solocello, baseret på én af de originale seks suiter af Bach og i tæt samarbejde med ham selv og hans studerende.

Gennem projektet er der opstået en dialog mellem Bach og de nutidige komponister, mellem udøver og komponist i skabelsen af det nye værk, og en refleksion i forbindelse med tilbagevenden til den gamle musik, nu i nyt perspektiv.

Ud over dialog mellem tidsepoker repræsenterer projektet også en dialog mellem stilarter, idet to af komponisterne (Erik Ørum von Spreckelsen og Kasper Bai) har rod i den rytmiske musik. De øvrige fire er studerende i klassisk komposition, dels ved Det Jyske Musikkonservatorium (Monika Szpyrka og Pawel Malinowski), dels ved Norges Musikhøjskole (musikkonservatoriet i Oslo) (Elias Nurmi og Astrid Solberg). Komponisterne har fået helt frie hænder i forhold til hvordan de vil knytte an til det oprindelige værk.

 

Dialog mellem komponister og udøvere

Det Jyske Musikkonservatoriums cellostuderende har i forbindelse med projektet intensiveret arbejdet med Bachs oprindelige suiter. Desuden er de blevet præsenteret for de nye værker allerede på skitseplan og er herved blevet introduceret til nye spillemåder og teknikker, og de har bidraget til den skabende proces ved workshops med komponisterne. På denne måde er både de studerende og Brendstrup medskabere af den ny musik.

Slutproduktet er seks nye værker, der dels kan indgå i det moderne repertoire for cellister, dels kan bruges generelt som teknisk grundlag for indstudering af samtidsmusik. En præsentation af et udvalg af værkerne kan findes her.

 

Kunstnerisk Udvikling

Alle fastansatte ved konservatorierne kan arbejde med kunstneriske eller pædagogiske udviklingsprojekter. Herigennem sikres en løbende udvikling af såvel kunstneriske som pædagogiske redskaber og indsigter og dermed det videngrundlag, som uddannelserne hviler på.

Moderator ved Henriks Brendstrups fremlæggelse af sit udviklingsprojekt er som nævnt den finske cellist Anssi Karttunen. Karttunen har omfattende erfaring som solist og kammermusiker og er ikke mindst kendt for sit arbejde med ny musik, bl.a. har han spillet over 170 verdenspremierer. Desuden har Karttunen arbejdet specifikt med at bringe unge komponister og udøvende sammen, et projekt han har udviklet i samarbejde med komponisterne Kaija Saariaho og Magnus Lindberg

Ekstern: Call for Projects: Ignorance is Strength

23/09/2021

Call for projects | Deadline 24 October 2021
Ignorance is Strength? Artistic Expression and Biopower in the Post/Pandemic Age

 

The European Alliance of Academies launches this call for projects on the topic of biopolitics, exploring the relation between governments and their citizens, especially in the context of the (post)pandemic crisis. The call aims to challenge contemporary artists to reflect on their own practices in the aftermath of the COVID-19 pandemic, and in the wake of ongoing societal and political shifts.

We invite proposals from artists whose works grapples with aspects of critical cultural research, especially on social and political issues furthered by the current pandemic. Participating artists may consider Michel Foucault’s concepts of biopolitics and biopower in explorations on social inequality, the impact of digital media on individuals and communities, the advent of the so-called fake-news and growing distrust in state governments. How did the pandemics underline the systemic flaws in contemporary societies and what other opportunities of change are there to be considered?

Proposals should entail interdisciplinary research based on innovative methods and strategies in the digital/technological sphere and delve into the different aspects of transformative and reflective artmaking. Taking into consideration recent studies on the far-reaching negative effects of COVID-19 on women across domains—from gendered divisions of labour to economic stability- proposals focusing on gender inequality are encouraged. See more

The resulting exhibitions, talks, residencies and events will further focus on how artistic creation in Europe was affected by the pandemic in the largely different contexts across the continent. How do various art systems adapt to social distancing, lockdowns, political tensions, and interrupted activity? How should we act on the principles of participation and cultural exchanges in a time of crisis and how do we redefine a new space for artistic creation beyond geopolitical borders? Artists are encouraged to critically engage in transnational dialogues on the status-quo of artistic labour, society and the international art-scene.

Together, we seek solutions and new opportunities for the art sector, exploring the potential of trans-European collaboration in the post/pandemic age.

 

Conditions
The European Alliance of Academies can fund each artistic project selected up to 5,000 euros plus a lump sump for material and production, relative to the artistic discipline.

 

Target Group
The call for projects is directed at artists and students from all artistic disciplines who are represented by the institutions and academies of the European Alliance of Academies. In order to foster European artistic co-creation, applications from artistic duos or groups from different countries of the European Union will be viewed favourably.

 

Format | Digital & Analogue
The selected artists will be invited to create an artwork in their preferred artistic discipline, but mainly in a digital format, based on the concept of the project and using artistic research methodology. Artistic research will take the form of residences and workshops, physical or digital, with the findings shared via digital forms of cooperation and presentations – corresponding to the open-ended, process-oriented and participative nature of digital artworks. The artworks will be displayed on a digital platform created by the European Alliance of Academies whereby it will represent both analogue and digital art. A critical conscious approach to the interplay of the off and online, and their different bio political conditions for being “present”, could be emphasized in order to highlight the duality and shift of artistic expression in the digital sphere.
We encourage participating institutions to organize an analogue presentation of the artworks in their own institution or art spaces, with exhibitions, video screenings, conferences, and panel discussions, and to enhance this with contributions by local artists, scholars, and cultural workers; these latter activities are to be funded and organized by members of the Alliance via their own national or local funding.

 

Curatorial Team
The authors of the project concept and its curatorial team is the Alliance Working Group 6, composed of Anca Poterasu, Cristina Stoenescu, and Josip Zanki (organizational project support: Christiane Lötsch). Additionally, Prof. Kristoffer Gansing as well as members of the Akademie der Künste will form the jury.

 

Project proposals should include

  • Project outline (500–700 words) including visual material
  • Working method
  • Short biography and contact details
  • Portfolio of work (pdf, max. 2-5 MB)


Timetable

The deadline for project proposals is 24 October 2021
Project proposals and idea of presentation should be sent to: loetsch@adk.de

 

Until 22 November 2021
Selection of artists by the curatorial team

 

Until 15 April 2022
Artistic research and realization of artworks (residences, workshops, and digital cooperation)

 

May–December 2022
Online presentations of artworks on the digital platform of the European Alliance of Academies and other local activities (exhibitions, video screenings, conferences, panel discussions)

 

Download a PDF VERSION of the call.

 

 

Alliance of the Academies

Informationsmøde: ansøgningsproces til ph.d.-, postdoc og øvrige forskningsprojekter

15/09/2021

Er du interesseret i at søge en praksisbaseret, kunstnerisk ph.d.? Er du som aktiv billedkunstner eller kurator interesseret i at bruge din praksis som forskningsmetode til at opnå ny viden? Eller som kunsthistoriker at udvikle et forskningsprojekt tæt på eksisterende, levende kunstmiljøer? Så har du muligheden for at høre mere.

Onsdag den 22. september kl 14.30 holder Kunstakademiet informationsmøde for alle, der er interesserede i at vide mere om ansøgningsprocessen for forskningsstipendier gennem Novo Nordisk Fondet (NNF) til ph.d, postdoc og mindre projekter. Stipendierne er et samarbejde mellem Kunstakademiet, NNF og et relevant universitet, og de forskellige institutioner vil deltage i informationsmødet. Arrangementet finder sted i Det Hirschsprungske Auditorium på Kunstakademiet. Det vil også være muligt at deltage via zoom

På dagen vil fungerende leder af Laboratoriet for Kunstens Forskning, lektor Maibritt Borgen, give en generel introduktion til ansøgningsprocessen og fortælle om forskningen på Kunstakademiet. Der vil også være en repræsentant fra NNF til at fortælle om processer og regler, samt en repræsentant fra Institut for Kunst og Kulturvidenskab på Københavns Universitet.

Sted: Kunstakademiet, Det Hirschsprungske Auditorium, Peder Skrams Gade 2
Dato: Onsdag 22. september
Tid: 14.30 til 16.30
Det vil også være muligt at følge mødet digitalt. Ønsker du at dette, bedes du sende en mail til emil.meilvang@kunstakademiet.dk

Læs mere om ansøgningsprocessen og deadlines 2021 her

Samtaler om samfundsudviklende kunstnerskaber/ CAKI

08/09/2021

Ved ENTRE DEBAT LIVE taler vi om omverdensrelationer til de kunstnerskaber, pædagogiske praksisser og de kunstneriske udviklingsvirksomheder, der finder sted på de kunstneriske uddannelser.

Ved denne anden begivenhed i rækken skal vi tale om samfundsudviklende kunstnerskaber – hvad er de og hvad kan de? Vi har inviteret filminstruktør Patricia Bbaale Bandak, leder af CATCH Majken Overgaard og rektor på Rytmisk Musikkonservatorium Henrik Sveidahl til at tale sammen over temaet ‘Samfundsudviklende kunstnerskaber’. Samtalen modereres af Pernille Skov fra CAKI.

 

Om ENTRE DEBAT LIVE

Som underviser, forsker eller studerende på en kunstskole må vi spørge os selv, hvad kvalitet og relevans er i den kunstneriske praksis og virksomhed, og hvorledes dette stiller sig i relationen til en omverden.

For at understøtte og udvikle disse refleksioner har vi inviteret en række samtalepartnere, der på forskellig vis er i berøring med de kunstneriske uddannelser og den kulturelle sektor bredere set, til at drøfte spørgsmålet om omverdensrelationer i kunstnerskabet og den kunstneriske virksomhed.

ENTRE DEBAT LIVE er en del af ENTRE-programmet, der understøtter udviklingen af entreprenørskab som vidensområde på de videregående kunstneriske uddannelser.

 

Patricia Bbaale Bandak blev færdig som instruktør på Den Danske Filmskole i 2019. Siden har hun arbejdet på dokumentarfilmen Better I go Suffer, som hun vandt Nordic Talents 2019 med. Filmen er nu på New Danish Screen – Det Danske Filminstituts talentudviklingsordning. Sideløbende skriver hun på fiktionsfilmen Wannabe, som handler om en 12-årig ugandisk pige, der bor på Falster i 1997. Hun er splittet mellem to verdner og leder efter sit eget ståsted – ikke ulig Patricias egen opvækst, som hun deler med os i Villa Villakulla, hendes afgangsfilm fra Filmskolen. Derudover er hun er medforfatter på serien Queens, og hun har instrueret teater på Mungo Park, udviklet installationer i eget navn, deltaget i talks, podcasts og radio-interviews.

Patricia arbejder med identitet, sorg og tabuer og behandler sine tematikker gennem både lys og mørke. Kort fortalt bruger Patricia sin stemme, og hun har i sit kunstnerskab et ønske om at gøre det på en måde, som sætter et kulturelt aftryk der fæstner sig i samfundet. I januar 2021 interviewede Girls are Awesome Patricia til deres serie ‘Role Models’ – du kan se interviewet her

 

Majken Overgaard er programleder i CATCH, Helsingør Kommunes Center for kunst, design og teknologi. Majken Overgaard har gennem sin karriere fokuseret på synergierne mellem teknologi og samtidskunst med det overordnede mål at udforske det tværfaglige univers, hvor kunst, videnskab og teknologi krydsbefrugter og danner et kreativt miljø for udvikling af nye ideer, eksperimenter og opfindelser. Som uddannelsesaktivist har hun igangsat adskillige aktiviteter for kvinder og andre underrepræsenterede grupper inden for kunst og teknologi.  Udgangspunktet og motivationen for Majken har altid været de tværfaglige og verdensomspændende muligheder, som både kunst og teknologi rummer, samtidig med at de udfolder individers såvel som samfunds potentiale og får mennesker og ideer til at vokse og komme til at leve.

Aktuelt arbejder Majken sammen med Institut for Fremtidsforskning om et projekt, der fokuserer på kunstens indvirkning på vores fremtid. Hun arbejder også sammen med videregående uddannelser om at udvikle nye praksisbaserede initiativer i relation til byen og fællesskabet – herunder et samarbejde med AIRlab på IT Universitetet, hvor partnerne sammen undersøger mulighederne for at formidle byens historie via augmented reality og lyd.

Læs mere om CATCH her

 

Henrik Sveidahl er netop blevet genindsat om rektor på Rytmisk Musikkonservatorium, hvor han har styret konservatoriet gennem både rørte og rolige vande siden 2005. Henrik blev bl.a. genansat med afsæt i hans overbevisning om, at kunstnere kan bidrage med langt mere i samfundet end hvad der er tilfældet i dag, og at dette bør afspejles i de kunstneriske uddannelser. Kernen i uddannelserne på konservatoriet vil fortsat være at skabe, udøve og formidle musik og musikoplevelser, men det er en vision at udvide mulighedsrummet for, hvor og hvordan det kan gøres. Senest har de på Rytmisk Musikkonservatorium udviklet et nyt eksternt semestermodul på bacheloruddannelserne som musiker og komponist. Her skal de studerende indgå i partnerskab med eksterne aktører for at udvikle og gennemføre kunstneriske, kunstpædagogiske eller andre projekter, som har fokus på de muligheder og udfordringer, der ligger i mødet mellem kunsten og det omkringliggende samfund. Samtidig har RMC åbnet et nyt internationalt forskningscenter for Kunstnerisk Medborgerskab, hvor forskere fra hele verdenen samles for at dele viden om, hvordan kunst og kunstneres rolle i samfundet kan forstås på nye måder og videreudvikles.

Læs mere om RMC her

 

 

TILMELDING

Begivenheden er åbnet for alle interesserede, men der er begrænset antal pladser til IRL-eventet, og undervisere fra de videregående kunstneriske uddannelser har fortrinsret.

Samtalerne bliver live streamet, og det vil være muligt at stille spørgsmål til oplægsholdere undervejs.

Den fysiske begivenhed finder sted på Rytmisk Musikkonservatorium på Holmen d. 24. september 2021 kl. 10.00 – 12.00

For tilmelding til dagen, skriv til caki@caki.dk

Angiv venligst om du ønsker at deltage ved fremmøde eller via live stream samt hvilken skole, du er tilknyttet (hvis nogen).

For spørgsmål, kontakt pernille@caki.dk


 

PRAKTISK

ENTRE DEBAT LIVE afholdes på Rytmisk Musikkonservatorium på Holmen og er for alle undervisere ved de kunstneriske uddannelser. Det er gratis at deltage, men du bedes tilmelde dig ved at sende en mail til caki@caki.dk

Hvis din skole ikke dækker dine rejseudgifter i forbindelse med din deltagelse på symposiet, er det muligt at få dine transportudgifter dækket. For mere info, send en mail til pernille@caki.dk eller ring til Pernille Skov +45 27 37 75 67.

Ekstern: Articulations, Call for Proposals

15/06/2021

Invitation to propose presentations for the Swedish Research Council Symposium on Artistic Research 2021

 

Researchers in artistic and practice-based research are invited to submit proposals for presentations at this year’s symposium on artistic research. The symposium will be held on 24–25 November, on the theme of Articulations. The deadline for proposals is
1 September.

 

Articulation is a central feature of artistic research. Articulation can be regarded as a process where the relationship between different elements is made discernible, tangible and possible to mediate, and where the forms, dependencies and consequences of understanding are made visible. The purpose of this year’s symposium is to open up a dialogue about articulation as “theorising in practice”, about knowledge-related freedoms and opportunities, but perhaps also about the rights and obligations that research entails. How does artistic articulation impact on theory formation and concept development? How can artistic articulation be expanded within other research fields? In what way does artistic research follow up the articulations it develops?

The symposium will focus on the articulations and the theoretical and conceptual development that occurs within the framework for artistic research, but will also critically consider the importance of articulations as knowledge contributions in more general terms.

In order to deepen the discussion, we are inviting proposals for articulations that, in addition to relating to the overall theme, also consciously and creatively relate to the combined online and on-location format of the event.

The symposium will be held on 24–25 November and is arranged by the Swedish Research Council, in collaboration with Malmö University (School of Art and Communication/K3) and Inkonst, and will be held in both Swedish and English.

 

The detailed program will be published here:

Symposium on Artistic Research 2021 – Vetenskapsrådet (vr.se)

 

VR artistic research symposium 2021 | Malmö University (mau.se)

 

Guidelines for abstracts

 

Themes

We welcome abstracts that address subjects such as:

  • how articulation, as theorising in practice, can be made conscious and visible, be materialised and changed within the framework for an artistic research project
  • how specific articulations can contribute to creating understanding in a certain context
  • how artistic articulation can function critically in relation to academia, professions and the market
  • how artistic research can contribute to a broadened research discussion on the challenges of conceptual articulation.

Format

Abstracts submitted shall also present a proposed format, such as individual presentation, workshop, performance, round-table discussion, debate, etc. Proposals for sessions shall include information on all the researchers included in the session.

 

Scope

  • Abstracts for sessions: 500 words
  • Abstracts for other presentation formats: 300 words

Deadline

Please send your abstract to Maria Hellström Reimer, Scientific Adviser in Artistic Research at the Swedish Research Council, no later than 1 September.

Notification of the proposals accepted will be given no later than 1 October 2021.

DDSKS: Tårnby Park Performance Festival 8-12 juni, 2021

05/06/2021

OM FESTIVALEN

Tårnby Park Performance Festival er en festival med nye værker og samarbejder mellem internationale og lokale kunstnere på tværs af generationer og grænser, hvor mødet med det ukendte og ufærdige er i fokus.

I løbet af vores 5 dages festival vil vi gerne prikke til din nysgerrighed. Vi har inviteret kunstnere fra blandt andet Kroatien, Bulgarien, Ungarn, Slovenien og København til at vise deres arbejde i Tårnbyparkens grønne bakker, fodboldbaner og forsamlingshuse. Gennem performances, workshops og en daglig picnic, vil vi sammen skabe en åben stemning hvor der eksperimenteres, leges og udveksles, om man er barn, ung, eller gammel.

 

OM PROGRAMMET

Vi har lavet et program der aktivt arbejder med corona-restriktionerne og gjort dem kunstnerisk produktive. De internationale kunstnere der ikke kunne rejse ind i landet har vi sat sammen med herboende kunstnere og sammen har de skabt helt nye performanceværker på afstand. Vi er værter for formatet Pass it on – tre internationale værker er under lockdown blevet videregivet til lokale kunstnere og bliver nu vist til festivalen. Vi har inviteret unge og etablerede kunstnere til at vise works-in-progress samt børn og unge til at tage del i spontane teaterworkshops. Til sidst afholder vi arrangementet Art in Amager, hvor lokale kunstnere og institutioner inviteres til at udveksle om fremtidens kunst i samspil med en hverdag på Amager. Vi glæder os til at se dig til Tårnby Park Performance Festival.

Tårnbypark Allé 22, 2770 Kastrup

 

Link til festivallen

Publication: Unruly: Artistic Research between Disciplines and Becoming

05/06/2021

This special issue of Periskop  arrives during a pandemic, as planetary cracks deepen and social injustices, structural and systemic discriminations (racism, sexism, trans- and homophobia, ableism, classism and so on), inequalities, climate disasters, displacements, and wars continue to unsettle our present. In times like these, this special issue asks: How can we reclaim artistic research? And how are artistic research practices engaging in the co-creation of other worlds in response to different forms of social crises and planetary destruction?

 

This special issue of Periskop  arrives during a pandemic, as planetary cracks deepen and social injustices, structural and systemic discriminations (racism, sexism, trans- and homophobia, ableism, classism and so on), inequalities, climate disasters, displacements, and wars continue to unsettle our present. In times like these, this special issue asks: How can we reclaim artistic research? And how are artistic research practices engaging in the co-creation of other worlds in response to different forms of social crises and planetary destruction?

 

Contributions by: Julie Edel Hardenberg, Imayna Caceres, Zahra Bayati, Helen Eriksen & Gry Olsen Ulrichsen, Christina Marie Jespersen, Gry Worre hallberg, Nanna Lysholt Hansen, Lisa Nyberg

 

Edited by: Katrine Dirckinck-Holmfeld, Camilla Graff Junior, Lise Margrethe Jørgensen & Charlotte Hauch.

 

See more here

External: Register for Artistic Research in Film Conference 03-05.06.21

28/04/2021

IKF Institute for Artistic Research at Film University Babelsberg kindly welcomes you to the international online conference Transversal Entanglement – Artistic Research in Film on June 3-5, 2021.

 

Registration Deadline is 26 May.

 

In presentations, lectures and conversations artists from an international field will provide insight into their artistic research processes in film and audiovisual media. You are invited to contribute your thoughts, experience and knowledge in plenary discussions.

 

Eija-Liisa Ahtila, Lola Arias, Annika Boholm, Filipa César, Claire Denis, Kristoffer Gansing, Kersti Grunditz Brennan, Thomas Heise, Christian Iseli, Rachael Jones, Olivier Marboeuf, Jyoti Mistry, Laura von Niederhäusern, Arturo Delgado Pereira, Ella Raidel will be speakers at the conference.

 

MORE INFORMATION at the Conference Website

 

A GEECT event organized by IKF Institute for Artistic Research at Film University Babelsberg KONRAD WOLF in cooperation with Erich Pommer Institute and UNESCO Cities of Film Network.

 

DJM: 23 April Online forskningsseminar

21/04/2021

På seminaret præsenterer en række af Det Jyske Musikkonservatoriums undervisere deres forsknings- og udviklingsprojekter i tale, lyd og billede.

 

De mundtlige oplæg fortæller om udvikling af nye former for komposition og musikundervisning.

 

De projekter, der præsenteres i posterform, afspejler konservatoriets musikalske mangfoldighed med emner som fx interpretation, embouchuredystoni og lyttediversitet blandt e-musikstuderende.

 

Seminaret bliver afholdt online via platformen Zoom fredag d. 23. april 2021 kl. 14.30 -16.30.

 

Seminaret er åbent for alle interesserede, også for publikum udefra.

 

For Zoom-link og program se mere info på DJM’s hjemmeside.

BKS: April 22, Seminar, Transnational Mud: Swamps, Earth, and Transnational Trees

14/04/2021

Every day, we connect to digital technologies with an intensity where many no longer consider a divide between our online and offline existence. In an ongoing pandemic, online interfaces have effectively replaced physical access to art, objects, and human interaction. The lived impact of our digi-physical symbiosis now rapidly manifests; from the subtle physical changes we experience in our bodies to the global effects of energy consumption by digital technologies. On April 22, 2021, the ongoing artistic research project Digital Materialities will present The New Mud, the first of four symposia in which we invite artists and researchers to think collectively from and about the materials on whose foundations we build our supposedly immaterial digital life. This session, centered on mud, is organized by Rikke Luther, guest researcher on the project and a former ph.d-researcher at the Academy.

 

Nastier weather, prompted by the climate changes that energy consumption fuel, creates new, unpredictable, muds. Older and more stable habitats are threatened. In 2021, Nature: Geoscience published a new study on the effect of climate breakdown on the Atlantic Meridional Overturning Circulation, or, in short AMOC.[1] The AMOC, which regulates the circulation of northward flow of warm, salty water in the upper layers and a southward flow of colder, deep waters of the Atlantic, is at its weakest in a thousand years. As a consequence, increased heatwaves in Europe and storms on the eastern seaboard of north America will increase mud flows in some areas while in others, mud will harden and effect the tree cover and vegetation vital to the carbon cycle.

 

To predict future patterns, researchers glean proxy data from ancient sedimentary muds and ice-cores from Greenland, as if the past returns to reclaim control over an unpredictable future. Nations may be defined by their laws, but ecosystems and muds do not obey laws or boundaries. To learn from them, a new way of thinking is needed.

 

In this one-day Zoom-event, four artists and collectives will present on-going work in allied fields cross-referencing the theme of mud, allowing them to explore the emerging places of fragility and isolation, of melting and transformation, of dark imagination and darker fact.

 

 

Date:                  22 April 2021

Location:           https://kunstakademiet.zoom.us/j/68137444818?pwd=NnRGQXp5Zjc1bk5YcEFUeFZld2ZoUT09

Time.                  11:00 – 17:00

Access:              Passcode 728751

 

 

Schedule

 

Session 1 11-12.30

 

Introduction: Rikke Luther

 

Presentations: Lise Autogena and Nomeda and Gediminas Urbonas

Audience Q&A

 

 

Lunch 12.30-13.30

 

 

Session 2 13.30-15.00

 

Presentations: Rikke Luther and Pia Rönicke

 

Audience Q&A

 

 

Contributors 

 

Nomeda and Gediminas Urbonas are artists, educators, and co-founders of the Urbonas Studio, an interdisciplinary research practice that facilitates exchange amongst diverse nodes of knowledge production and artistic practice in pursuit of projects that transform civic spaces and collective imaginaries. Nomeda is Research Affiliate at MIT and Gediminas Associate Professor at MIT’s Program in Art, Culture and Technology.  Gediminas and Nomeda will discuss pedagogy of theSwamp School, initiated at the 16th Venice Architecture Biennale 2018, and the ideas pertinent to the book Swamps and the New Imagination, Sternberg, MIT Press, 2021.

 

Pia Rönicke is an artist, researcher, and former associate professor at the Royal Academy in Copenhagen, and currently attached to Lund University & Malmö Art Academy. Röncike will talk about her current project Drifting Woods, Deserted Forest.

Lise Autogena is an artist and professor of Cross-Disciplinary Study at Sheffield Hallam University in the United Kingdom. Her film Kuannersuit/Kvanefjeld (2017) was made with long-term collaborator Joshua Portway. Lise will talk about the film and the new research platform for scientists, artists, and others, she is establishing in Narsaq, Greenland.

Rikke Luther is an artist and lecturer, based at the Laboratory for Arts Research, The Royal Danish Art Academy in Copenhagen. She has worked in groups, co-founding Learning Site and N55 but has worked solo since 2015. Her current work examines the rapidly shifting political and environmental landscapes that result from assuming away the earth dynamics of natural resources and commercialising them.  Luther’s recent doctoral work Concrete Aesthetics: From Universal Rights to Financial Post-Democracy was based at the Royal Danish Academy, University of Copenhagen, and at the MIT Program in Art, Culture and Technology, where she was an affiliate.

 

Digital Materialities is Maibritt Borgen, Karen Harsbo, Malene Bang, Rikke Luther and Oskar Kolliander. The researchproject is generously funded by the Ministry of Culture, KUV-puljen.

 

RMC: “Rooms of Resonance” Artistic Research Presentation

11/02/2021

RMC invites you to attend the final presentation of the artistic research project “Rooms of Resonance” by associate professor, reed-player and composer Lars Greve.

 

See also the Facebook Event

 

Rhythmic Music Conservatory in Copenhagen (RMC) invites you to attend the final presentation of the artistic research project “Rooms of Resonance” by associate professor, reed-player and composer Lars Greve.

The presentation will be transmitted online from Copenhagen Contemporary at Refshaleøen on 22nd of February from 4 pm to 6:30 pm CET. Greve will present his results in a combined live concert and lecture, followed by a dialogue with two opponents and questions from online attendees. Attending opponents at the presentation are composer and sound artist Rune Glerup, associate professor at the Royal Danish Academy of Music, and pianist and composer Søren Kjærgaard, associate professor at RMC.

 

The event can be accessed via this Live-YouTube link: https://youtu.be/eu_w4Uc4JKI

 

Greve’s artistic research on “Rooms of Resonance” has investigated the following main question:

“What are the artistic potentials in improvising on an acoustic instrument, in a room where selected objectare brought into vibration?”

Greve has explored this through his artistic practice, while hoisting technological, methodological and artistic experiencesand insights.

 

To get an audiovisual impression of the project, we invite you to see this short introduction movie: https://www.youtube.com/watch?v=wlSNXwB2YA4&feature=youtu.be

 

RMC: Copenhagen Centre for Research in Artistic Citizenship (CReArC)

08/02/2021

We are delighted to announce the digital launch of

Copenhagen Centre for Research in Artistic Citizenship (CReArC)

at Rhythmic Music Conservatory, Copenhagen, Denmark.

 

 

The launch will take place on February 23, 2021 at 17.00–19.00 CET. We would be very happy to have this opportunity to welcome you to the opening of our new research centre. To participate in this event, please register using the following Zoom link:


https://rmc-dk.zoom.us/meeting/register/u50tcOGhqDIpGtNmuuID84XwWW3I3AnetQTH

 

 

Henrik Sveidahl (Principal), Lars Brinck (Head of Research), Maria Westvall (Director CReArC)

 

 

Programme:

 

17.00–17.25 Welcome by Principal Henrik Sveidahl, Lars Brinck, Maria Westvall & Duo Cosmo Broosch

 

17.25–17.55 Short talks by CReArC Network of International Scholars:

 

      • Dr. Charles Carson, Associate professor of Musicology/Ethnomusicology at University of Texas at Austin, USA.

 

      • Dr. Flávia Motoyama Narita, Senior lecturer of Music Education at Universidade de Brasília, Brazil.

 

      • Dr. Kim Boeskov, Postdoctoral researcher at RMC, Denmark.

 

17.55–18.10 Questions and discussions. Duo Cosmo Broosch

 

18.10–18.40 Short talks by CReArC Network of International Scholars:

 

      • Dr. Oscar Pripp, Associate professor of Ethnology at Uppsala Universitet, Sweden.

 

      • Dr. Nan Qi, Associate professor of Music Education at Universidade Federal do Rio Grande do Norte, Brazil.

 

      • Dr. Emily Achieng Akuno, Professor of Music at The Technical University of Kenya.

 

18.40–18.50 Questions and discussions

 

18.50–19.00 Closure with Lars Brinck, Maria Westvall & Duo Cosmo Broosch.

 

For more information about the centre and the speakers’ biographies, please see attached document.

 

If you have any questions, contact research assistant Niclas Nørby Hundahl at ninhu@rmc.dk

 

External: The Fragility of Sounds

03/02/2021

University of Music and Performing Arts Graz | Centre for Gender Studies

The Fragility of Sounds Lecture Series [Online]

For an exchange across disciplines and cultures, this series of online lectures brings together composers, performers, musicians, scientists and researchers in order to explore terrains of music theatre. We look into movement, space and the body in connection with performance and electronic music, as well as into society and environment, identity and gender in the context of composing. We understand music theatre in the widest sense of the term: music theatre is sound moving in/through/with space and time. Music theatre is a collaborative process that necessitates co-operation and collaboration.

 

Further information and links under
https://www.fragilityofsounds.org/fragility-of-sounds-lecture-series/

 

The series is curated by Pia Palme and Christina Lessiak as part of the Artistic Research Project PEEK AR 537 On the Fragility of Sounds funded by the FWF Austrian Science Fund.

 

Join us on an inspiring journey into contemporary music, theatre, listening, and culture: come to explore new ideas, discuss, and critically comment the various results and insights.

All lectures are available for free and will be in English.
Duration approximately two hours each.

 

Tuesday 9 February 2021 – 5 PM [CET/UTC+1]
Elisabeth Schimana: Sound as Score
Susanne Kogler: “The fragility of sound” – On Possible Connections between Aesthetics and Politics in the 21st Century

Thursday 11 February 2021 – 5 PM [CET/UTC+1]
Irene Lehmann: On the theatricality of experimental listening situations
Electric Indigo aka Susanne Kirchmayr: From Idea to Realisation –
Susanne Kirchmayr speaks about her artistic process

Saturday 13 February 2021 – 7 PM [CET/UTC+1]
Join us for the dernière online screening of
WECHSELWIRKUNG – an experimental theatre
and stay on for the artist talk afterwards
with Paola Bianchi, Juliet Fraser, Pia Palme,
Irene Lehmann and Christina Lessiak

Thursday 18 February 2021 – 5 PM [CET/UTC+1]
Malik Sharif: Composition and Musicology as Artistic Research: The Case of Ruth Crawford and Charles Seeger
Christina Lessiak: How Feminism Matters: An exploration of an artistic research project

Thursday 25 February 2021 – 5 PM [CET/UTC+1]
Darla Crispin: Fragile sounds, robust text and the mediating potential of mutually-attentive listening
Flora Könemann: The silent draw: exploration of the void through embodied listening and drawing – an exercise lecture

Thursday 4 March 2021 – 5 PM [CET/UTC+1]
Aistė Vaitkevičiūtė: Emerging in the Process: Alternative Musical Thinking Recalling Archaic (Female) Existence
Sarah Weiss: Precarious Resistance: On Women Singing Transgression in Ritual Contexts

Thursday 11 March 2021 – 5 PM [CET/UTC+1]
Veza Fernandez: Tremor – Video performance and artist talk
Chikako Morishita: Composing ‘Narrative Dissolution’: Framing Subjectivity in Music Composition

Thursday 18 March 2021 – 5 PM [CET/UTC+1]
Pia Palme: With. The significance of a preposition for my artistic practice.

 

contact: pia.palme@kug.ac.at

Artistic Research at RMC

26/01/2021
Tuesday Feb 2nd:
13.00 – 15:00 Talk by Prof. Salomé Voegelin, artist, researcher and writer, engaged in listening as a political practice. Salomé will present some of the ways that artistic practice, and particularly sonic practices, can further conventional/taxonomical knowledge processes, softening disciplinary boundaries and advocating more hybrid collaborations that challenge epistemological givens and expand what we can know. She will emphasize the role of art in asking relevant and necessary questions on the global challenges of today (COVID, Climate Change, social integration, political migration, populism, etc.). Salomé: “I think the future will bring more complex responsibilities for artists and musicians, but therefore also new opportunities to bring their particular sensibilities and competencies into play, inside and outside the actual making of music and art.“www.salomevoegelin.net/ www.listeningacrossdisciplines.net
Moderated by JLA
Wednesday 3rd
13:00 – 15:00: Artistic Research presentations by Magda Mayas & Torben Snekkestad, presenting their own recent AR projects. Magda Mayas graduated from the Swedish “Kontnarlig Doktorant” Ph.D programme recently, with the thesis “Orchestrating Timbre” –https://www.researchcatalogue.net/view/382024/382025. Torben Snekkestad finished the Norwegian programme sometime ago with “Poetics of a Multiphonic Landscape” – https://www.researchcatalogue.net/view/518792/522412  – and has started a new AR project, “Traversing Sonic Territories”, last summer. They will both talk on their methods, intensions, content, planning, findings, etc. in relation to these large scale research projects.
Thursday February 4th
9-11: Talk, “On the Future of music”, by Ulrich Krieger, via zoom from L.A. Ulrich Krieger, professor for composition and experimental sound practices at the California Institute of the Arts, has worked with a.o. Lou Reed, Phil Nibloch, Merzbow and Zeitkratzer. He has written a chapter in the January 2021-release of John Zorn’s book series Arcana, with the title On the Future of Music, which he will convert into a talk for us.
Moderated by JLA

SAR conference 7-9 April

19/01/2021

The 12th SAR Conference on Artistic Research invites submissions that relate to the three attractors care, dare and share. It will be the first SAR conference organized as a live online event. Applicants are welcome to respond to the challenges of live online conferencing in a creative way. We are calling for artistic researchers to present their work, processes, methods, discoveries, knowledge interventions, new insights, understandings, and to engage in exchange—in actions and words, in complex and simple, conventional and unconventional, robust and fragile ways.

 

See more:

https://www.sar2021vienna.ac.at/

Artistic Research Week – Oslo National Academy of the Arts, 25-28 Jan

19/01/2021

Oslo National Academy of the Arts organizes a week focusing on artistic research from 25 to 28 January. The digital programme consists of workshops, presentations, round-table discussions, screenings, exhibitions, artist talks etc.

Oslo National Academy of the Arts organizes a week focusing on artistic research from 25 to 28 January. The digital programme consists of workshops, presentations, round-table discussions, screenings, exhibitions, artist talks etc.

Hospitality Vulnerability     Vitality

One of the most important tasks we have this year is to find ways to own and to express agency through the challenges that have surfaced as new variables in our practices, our every day, and how we relate to the world.

“Hospitality Vulnerability Vitality” sets the framework for “openness” in the face of challenges, in the reception of causal effects from the unexpected, and in allowing for multiple perspectives. It speaks to visions and processes that are inherent to artistic practice, and the positive impact and invigoration that can be achieved when adopted as a strategy for forging new artistic ground.

Artistic research is an integrated part of the activities at Oslo National Academy of the Arts and plays a central role in forging a unified artistic community. The Artistic Research Week aims to contribute to a wider understanding of the nature of artistic research, to showcase what is being developed, and how this research relates to the greater disciplinary and socio-cultural contexts. It also aims to  increase the discursive level on artistic research, through sharing experiences, insights and knowledge that is generated through practice-based research with faculties, students and a wider audience.

This year’s Artistic Research Week activities are open to the public online only. The registration is now open!

Welcome!

Hospitality Vulnerability     Vitality

En av de viktigste oppgavene vi har i år er å finne måter å eie og uttrykke vårt virke gjennom de nye utfordringene som har dukket opp som variabler i vår praksis, vår hverdag og hvordan vi forholder oss til verden. «Hospitality, Vulnerability, Vitality» setter rammeverket for “åpenhet”. Vi står ovenfor nye utfordringer, ser nye årsakssammenhenger fra det uventede, og dette tillater oss å se ting fra flere perspektiver. «Hospitality, Vulnerability, Vitality» snakker til visjonene og prosessene som er iboende i kunstnerisk praksis, den positive og oppkvikkende påvirkningen som kan oppnås når visjonen brukes som strategi der ny kunstnerisk praksis smis.

Kunstnerisk utviklingsarbeid og forskning er en integrert del av aktivitetene ved KHiO, og spiller en sentral rolle i oppbygningen et samlet kunstnerisk miljø. Med forskningsuken har vi som målsetting å bidra til en bred forståelse for kunstnerisk utviklingsarbeid og forskningens «essens» for å vise frem hva som er under utvikling og hvordan forskningen relaterer til større disiplinære og sosiokulturelle kontekster. Med forskningsuken ønsker vi å styrke diskusjonen om kunstnerisk utviklingsarbeid gjennom å dele opplevelser, innsikter og kunnskap som er generert gjennom praktiskbasert forskning med avdelinger, studenter og et større publikum.

Arrangementene på årets Kunstnerisk forskningsuke vil kun holdes gjennom en KHiO-sentralisert online “hub”.

Du kan registrere deg her.

Velkommen!

The Postresearch Condition, 26-30 Jan

19/01/2021

Welcome to the 2021 EARN/NWO Smart Culture Conference – January 26 – 30, organized in collaboration with HKU University of the Arts Utrecht, NWO (Dutch Research Council), and BAK, basis voor actuele kunst, Utrecht. Scroll down for the full programme of talks and workshops plus information about how you can participate. Registration deadline is January 8, 2021.

 

Proposition

After an omnipresent “Research Decade,” the concept of artistic research currently seems to be in need of a recharge. Pressing questions are: Should we talk about a postresearch situation or a postresearch condition? Could this be compared with how poststructuralism relates to structuralism as its philosophical comprehension and the elaboration of its consequences? And how could a postresearch condition address contemporary art practices?

To answer these questions, it is important to start from the three conceptual spaces that fundamentally determine what we mean by research: creative practice (experimentality, art making, potential of the sensible); artistic thinking (open-ended, speculative, associative, non-linear, haunting, thinking differently); and curatorial strategies (topical modes of political imagination, transformational spaces for encounters, reflection and dissemination) – and to comprehend these spaces in their mutual, dynamic coherence as a series of indirect triangular relationships.

From whatever conceptual space one departs, an artistic research practice could signify a transversal constellation – as a creative proposition for thought in action. Yet, that mode of research could never be reduced to a method of one of the three constituents. Thus, artistic research cannot be equated with creative innovation, disciplinary knowledge production, or political activism. It seems urgent now – and this is the starting point of this conference – to profoundly challenge and question the issue of how to articulate and present the condition of the intersection between the three conceptual spaces. For this purpose, an intensive program of workshops, presentations, propositions, screenings, and publications has been developed.

 

See more:

https://www.hku.nl/en/study-at-hku/hku-college/pre-phd-programme/the-postresearch-condition

The Electro Acoustic Experience -Præsentation af et kunstnerisk udviklingsprojekt med stort jazzorkester og avanceret elektronisk lydbearbejdning.

16/01/2021

Alle interesserede er velkomne til denne online præsentation via zoom af professor Jens Christian ”Chappe” Jensens kunstneriske udviklingsprojekt: The Electro Acoustic Experience – Orkestermusik i nyudviklet elektronisk kontekst.

 

Du kan overvære præsentationen kl. 16:00-17:30 via dette zoom-link.

 

Gennem projektet har Chappe eksperimenteret med nye strategier for komposition, improvisation og instrumentation for stort jazzorkester i sammenhæng med avanceret elektronisk lydbearbejdning. Chapppe er professor i komposition og arrangement ved konservatoriet og leder af konservatoriets bigband.

Målet med projektet er at udvikle nye elektroakustiske koncertformer, hvor det store jazzorkester bringes sammen med den elektroniske komponist og performer i et ligeværdigt møde. Arbejdsprocessen er foregået som en udforskning af tværfaglige samarbejder med en række etablerede kunstnere, fagfæller og studerende.

I løbet en toårig periode har projektet manifesteret sig i 10 koncerter og omkring 100 kompositioner skabt dels af Chappe selv, dels af tilknyttede professionelle kolleger samt studerende fra Det Jyske Musikkonservatorium.

Koncerterne har haft medvirken af Det Jyske Musikkonservatoriums kor og orkestre, Blood Sweat Drum + Bass, Aarhus Jazz Orchestra, Randers Kammerorkester samt ToneArt ensemblet Moving Circles. Der er blevet eksperimenteret med bl.a. surroundsound, interaktive Visuals og elektronisk bearbejdning af live bigbandmusik.

Ved fremlæggelsen vil Chappe fortælle om de strategier, arbejdsformer og metoder, som han har udviklet i forbindelse med skabelsen af de mange forskellige koncerter. Undervejs bliver der afspillet videoklip fra koncerterne. Chappe vil derudover reflektere over de opnåede resultater og projektets potentielle bidrag til kunstnerisk udviklingsvirksomhed.

I forbindelse med præsentationen medvirker komponist, arrangør og orkesterleder Peter Jensen som moderator og kritisk bedømmer.

Kunstnerisk udviklingsvirksomhed (KUV) ved musikkonservatorierne kan eksempelvis omfatte komposition af ny musik, indspilning af sjældne værker eller udvikling af nye koncertformer m.m. I modsætning til kunstnerisk praksis skal kunstnerisk udviklingsarbejde have en undersøgende karakter, være originalt og nyskabende og være ledsaget af en refleksion over resultat og proces.

Artikler om Praksisbaserede kunstforskere på kunsten.nu

15/01/2021

ARCtalks with Kristoffer Gansing 27.01.20

12/01/2021

ARCtalks is a series of panel discussions moderated by Hannes Andersson, where members of the Artistic Research Community together with invited guests from various context share their research, processes and thoughts on relevant topics.

For this 1st session of the online ARCtalks, we are happy to welcome Kristoffer Gansing (Professor of the newly formed ‘International Center for Knowledge in the Arts’ (and former Artistic Director of the Transmediale festival) to share his thoughts on artistic research in a panel discussion together with ARCers Hermen Maat and Simona Kicurovska, who will present their research and share their views on empathy and embodiment.

 

Date & Time: 27. 01. 2021, 10 h.

 

For more info and registration:
ARCtalks1 with bios & general info

 

The talk is organized by The Artistic Research Community in the North (ARC) which is a dialectic umbrella organization for explorative research-creation, composed by a network of researchers and knowledge institutions in the north of the Netherlands.

Gratis workshop: Storyworld 2.0 – er universer det nye sort?

30/11/2020

Torsdag d. 3. december kl. 18-20

Leder af Filmskolens animationsinstruktøruddannelse Jon Andreasen har i de sidste par år udforsket, hvordan man kunsterisk kan udvikle fiktionsuniverser.

I workshoppen giver Simon dig nogle værktøjer, og du kommer til at udvikle din egen storyworld i en lille praktisk øvelse.

Du kommer også til at møde to filmskoleuddannede instruktører, der i særlig grad har arbejdet med universer – både i deres afgangsfilm og i de spillefilm og tv-serier, som de har lavet i deres karriere efter Filmskolen.
Til workshoppen vil du høre om deres erfaringer og kan både stille spørgsmål til dem og til Simon Jon Andreasen.

Sådan deltager du:
1. Send en mail med tilmelding til: storyworld@filmskolen.org
2. Modtag Zoom-link og password en halv time før workshoppen begynder.
3. Nyd workshoppen og spørg løs i chatten.

Thursday, December 3, 2020 at 6:00 PM – 8:00 PM UTC+01

KuvA Research Days 7–9.12.2020 at Uniarts Helsinki

23/11/2020

KuvA Research Days 7–9.12.2020

The sixth edition of KuvA Research Days, arranged by the Academy of Fine Arts at Uniarts Helsinki, addresses a highly complex and heterogeneous set of framing conditions of knowing, learning, thinking and being together. As it happens, the question of framing conditions also affects the event itself. This time the onsite, live participation to Kuva Research Days, at the Exhibition Laboratory gallery (Merimiehenkatu 36, Helsinki), is limited due to COVID-19 virus regulations, but parts of this three-day event can be experienced online as well.

All participants (both on site and online) are asked to register their participation via an online form. The deadline is Thursday December 2, 2020.Please note that the times given in the schedules are in Finnish time (Finland). Please also note that some of the individual parts of the Days program is in Finnish.

Register here 

Read program

Welcome also to participate and/or explore the documentations of the event to be published afterwards through the Uniarts Helsinki’s Research Catalogue portal.

Look at the Uniarts Helsinki Research Catalogue portal here
The last exhibition at the Exhibition Laboratory this autumn is hosted by the Doctoral programme at the Academy of Fine Arts. Doctoral trainee Jack Faber curates the exhibition Cooking for the Apocalypse that is open 20.11–9.12.2020. The exhibition deals with questions concerning our relationship with the environment and other species. The exhibition shows works by students, teachers, and other guest artists.

Look at Cooking for the Apocalypse Facebook event 

Read more about the exhibition Cooking for the Appocalypse   

Image: Kalle Hamm, Fantasy Being Devoured by the She-tiger, 2020.

 

Artistic Research in the Firing Line (Seminar)

15/09/2020

Seminar på det nye kollegium, Öresund Collegium for Artistic Research.

Seminaret  ”Artistic Research in the Firing Line” har sit udgangspunkt i kontroverserne om Bogdan Szybers underkendte afhandling og The Vienna Declaration.

Dato: 24. September 2020 kl. 10:00 til 12:30

Hele programmet er ellers her:
https://www.thm.lu.se/en/event/artistic-research-in-the-firing-line-sept-24

 

 

Hvordan giver det mening? 30/10-2020 kl. 17 DKDM, Studiescenen

02/07/2020

KUV-præsentation og Koncert (nyt værk) På Det Kongelige Danske Musikkonnservatorie.

Niels Rosing-Schow har modtaget støtte fra Kulturministeriets pulje til kunstnerisk udviklingsvirksomhed og konservatoriet til et projekt inden for ‘artistic research’. Dette forskningsarbejde med titlen How does it make sense? Perceptually informed musical composition fordyber sig her i ny viden inden for et tværdisciplinært felt, bl.a. perceptionspsykologi, semiotik og psyko-akustik og søger at drage nogle konsekvenser heraf for sit musikalske udtryksfelt. Denne indsigt ligger til grund for kompositionen af et nyt værk, som her får sin førsteopførelse.

NEW WORK (uropførelse)

DISTANT CALLS(MELODIES & MOVES)

Medv.: Athelas Sinfonietta Copenhagen, dir.: Jean Thorel

 

  • Dato: Fredag den 30. oktober 2020
  • Tidspunkt: kl. 17:00 – 18:30
  • Sted: Studiescenen, Rosenørns Allé 22
  • Entré: Gratis adgang, men begrænset antal pladser (der kan ikke reserveres pladser, så vi anbefaler at komme i god tid)

Forskningsseminar 2020. Det Jyske Musikkonservatorium

14/05/2020

Det Jyske Musikkonservatorium årlige forskningsseminar gennemføres pga. corona-pandemien online. Seminaret er som altid åbent for publikum udefra.
På seminaret vil konservatoriets undervisere præsentere aktuelle forsknings- og udviklingsprojekter i foredrags- og posterform.
Under overskriften “På sporet af den skabte lyd – brobygning mellem epoker og genrer i 2020’ernes musik” vil årets seminar bl.a. fortælle om udvikling af nye måder at spille, øve, komponere og kommunikere musik på.
Se det fulde program her. Seminaret slutter kl. 16.30.

 

 

Udstilling af Honey Biba Beckerlees ph.d. projekt, Det Kgl Danske Kunstakademi

14/05/2020

CU i cyklus kunne ses i LOKALE (Griffenfeldsgade 27, 2200 Kbh.N.) fra d. 22. april til den 4. maj.
OG vil kunne ses igen til Alt:cph på Fabrikken for Kunst og Design der er udskudt til september 2020 og igen på KH7Artspace til december 2020.

CU er betegnelsen for kobber i det periodiske system. Og CU i cyklus kan lyde som de remser man laver når man for eksempel skal huske grundstofferne i det periodiske system udenad. Honey Biba Beckerlee’s soloudstilling undersøger sammenhænge mellem kobber og hukommelse, både i computere, geologi og biologisk liv.

Kobbers naturlige formation i naturen forekommer i mønstre, som kan aflæses af geologer og fortælle dem om hvor, hvornår og hvordan det kom til. Man kan sige at kobber opbevarer sin egen historie i mønstre. Mønstre der ligner de mønstre vi skaber med kobber for at opbevare information, når vi laver RAM hukommelse eller såkaldt core memory og memory microchips. Nyere forskning peger også på at kobber er et nødvendigt mineral i vores kroppe og at ubalancer af kobber i hjernen påvirker vores
korttidshukommelse negativt. CU i cyklus er en installatorisk billedliggørelse af kobbers geologiske cyklus hvor udvalgte mønstre af kobber fra mineraler, RAM moduler og hjerneskanninger væver sig ind og ud af datacentrenes server racks.

Støttet af Grosserer L. F. Foghts Fond, Århus Kulturpulje & Statens Kunstfond

Honey Biba Beckerlee (1978) er uddannet fra Det Kgl Danske Kunstakademi, samt Goldsmith College. Hun arbejder som billedkunstner og har for nyligt deltaget på udstillingen Cosmic Existence på Den Frie. Hun er ph.d.-stipendiat på Det Kongelige Danske Kunstakademi og Århus Universitet, med et praksisbaseret forskningsprojekt under titlen Digital Matters, der søger at respondere på paradokset mellem forestillinger om immaterialitet i digital teknologi og udryddelsen af råmaterialer grundet overforbrug.

Phd titel Digital Matters
Phd Periode 1. September 2018 – 31. August 2021
Website: www.honeybibabeckerlee.com